the impuls for making the work
is in the longing to catch a glimpse
of the fleeting experience B E I N G M I N D
that inhabits B O D Y moving through T I M E and S P A C E
to condense this experience into visual form
as an attempt to understand something about something
this language -
body as interface -
has the potential to create fluid structures for mind
- close to the essence of what this living thing is ?
and create openings to re-examine
the accumulated ideas of what B E I N G is
beyond identification with borders of skin
is potential for evolution here ?