the impuls for making the work

is in the longing to catch a glimpse

of the fleeting experience B E I N G M I N D

that inhabits B O D Y moving through T I M E and S P A C E

to condense this experience into visual form

as an attempt to understand something about something

this language -
 body as interface -

has the potential to create fluid structures for mind

- close to the essence of what this living thing is ?

and create openings to re-examine

the accumulated ideas of what B E I N G is

beyond identification with borders of skin

is potential for evolution here ?